Popular Posts
-
Art of Octavia
-
“Wrong ways to…”* wrong ways to annoy you mum to hitch hike to do up your car /boy racer to park to drive to party to dress f...
-
Don’t really know where to go with my third vehicle (new ice age vehicle) had the idea to design a drill that will carve and build a track ...
-
So after getting some feedback from Phil about my idea, I have decided to design three cars for three different extreme environments. Each ...
-
I feel my minor project went well and feel positive going into the major project. I decided to do this project because the idea of building ...
-
Reflective Statement: For this project i found that the time given was challenging but enjoyed the challenges it produced. I origi...
-
The Cabinet of Dr Caligari film reviews The Cabinet of Dr Caligari (1920) directed by Robert Wiene and written by Hans Janowitz and C...
-
Outline plan:- Super villain is hiring for new position as side-kick, as usual side-kick is going on holiday. Current side-kick “I nee...
-
Alfred Hitchcock’s 1960 film Psycho is psychological horror story which shocked audiences in 1960 and even nowadays for those not familiar...
OGR 20/11/2015
ReplyDeleteHi Tom,
My first impression of your concept art is that it is a bit like a tourist's photograph of a famous landmark, where they've managed to crop the famous landmark out of the picture! The big building, with all its cladding, is clearly the star of the show, and yet it's being squeezed out of the composition and this feels like a wasted opportunity. I likewise think that the smaller buildings are too repetitive and samey; I'd suggest you create 3 iterations of those smaller buildings, and think about combining them using different orientations, and in this way you'll create a better sense of this city being busy and varied. Final observation would be I think you need to be more courageous in terms of your matte painting. Remember, you're being challenged to think about the matte painting as a means of set-extension, so creating more scope and scale in terms of the city itself. Again, this is an opportunity to lend richness and verisimilitude to your digital set.
In general terms, I want to see much more attention to detail in terms of the architectural detailing of your set - for example, the kerbs and contouring around the base of your buildings, and the actual way in which the windows and doors sit within the shell of your structures: so ...
https://s-media-cache-ak0.pinimg.com/736x/cf/0a/46/cf0a46c54baef0a4d6045bc88ae102b5.jpg
http://www.nbzarch.com/images/folio/corporate/nandini/nandini4.jpg
http://2.lushome.com/wp-content/uploads/2014/05/new-archit-3-30_799682.jpg
http://www.olivestudio.com/branch/wp-content/uploads/2010/04/backyard-office-2.jpg
The other thing you need to complete is your actual production art - which are fully rendered drawings of your 'hero assets' - so finished drawings of your buildings, as distinct from your orthographs; if you look at Charlie's OGR 2 and final WIM presentation, you'll see his production drawings as examples.